Clan
Rirratjiŋu
Songline
Wuyal | The Honey Ancestor
"Other clan groups were reluctant to bring their knowledge into the open; they moved back to their homelands and never expressed their Law to the public. But my family did. They were lawmakers and peacemakers, making good governance, peace, law and order. And they taught me the Law of the Djan’kawu and Wuyal and Wägilak.
My father told me, “Other Yolŋu will see that you have many stories and strong Law. They will recognize it and say, ‘Yes, it is the same, like our Dreaming, the same Law.’” This is because the Djan’kawu moved from one Country to another, connecting all of the Dhuwa clans by their spiritual ties to the two sisters. And that is the knowledge my father gave to me."
– WANYUBI MARIKA
More Info
During the Waŋarr (Ancestral times), the Honey ancestor
This painting was created as part of the Kluge-Ruhe Maḏayin commission and is the first time that this design has been painted for non-Yolŋu viewers.
– Buku-Larrŋgay Mulka
Additional Information
Decade
2017
Medium
Natural pigments on eucalyptus bark
Dimensions (IN)
74 13/32 x 32 43/64
Dimensions (CM)
191 x 83
Credit
Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. The 2017–19 Kluge-Ruhe Maḏayin Commission, Purchased with funds provided by Terry Snowball and Machel Monenerkit, and Margo Smith AM and Tom Cogill, 2022.
Narrative
Rirratjiŋu
The Rirratjiŋu clan belongs to the Dhuwa moiety. The major spiritual themes relate to Yalaŋbara,...
Songline
Wuyal | The Honey Ancestor
Wuyal, the ancestral Sugarbag Man, is an important ancestor of the Marrakulu clan of northeast...
Location
2010s
The 2010s saw Buku-Larrŋgay Mulka go from strength to strength. At the National Aboriginal and...
About The Artist(s)
Clan
Rirratjiŋu
Artist Dates
Born 1967
Wanyubi Marika
Wanyubi Marika is the son of Milirrpum Marika, the claimant in Australia’s first native title case. Wanyubi began painting as part of the Saltwater Project in 1997 and later served as chair of the Buku-Larrŋgay Mulka Centre. An important community leader, he was part of the curatorial team for Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala.
Collections Represented
Australian National Maritime Museum
Kluge-Ruhe Aboriginal Art Collection of the University of Virginia
Supreme Court of the Northern Territory
Sydney Opera House