Mithinari Gurruwiwi | Naypinya

Mithinari Gurruwiwi

Naypinya, 1963

Naypinya

Clan

Gälpu

"As [Wititj] traveled, she stopped and rested, and she sat under a garayal (a human-made shelter) to rest. Here, at a place called Gapuwaṉapaṉa, the great Serpent heard the rumbling sound, the growling from the Goluma. Out of Goluma came the sound or words, the cursing from Goluma, from the Serpent named Manatj. The Serpent spat and spoke, cursing toward a place called Mirarrmina and Gätata. From Guruwana, Garuma passed the message on to the Serpent. They were talking to each other, talking to Birritjama, so the other Serpent from Goluma answered, cursing. Cursing came from each Serpent as they were creating the countries, recognizing each other. The great Serpent heard the other as she kept cursing and thought to herself, “Is she going to give me the chance to speak?” Then another Serpent spoke and she thought, “These other two, are they going to give me a chance or will they be talking to themselves?”. She struck a lightning from a Country called Gapuwaṉapaṉa, also known as Moŋuli. She said, “Let me strike this bark here, then I can be satisfied.” Hitting the bark, both the tree and its leaves, lightning struck the special trees, as it was still raw and alive as it stood there. As it struck the tree, the pieces flew and splashed into the ocean of saltwater in a place called Waṉinygu, also at Djarraranŋa, Ritjilili and Maminŋu, representing the special place of a great white shark. "

– GUWAṈBAL GURRUWIWI

Additional Information

Decade

1963

Medium

Natural pigments on eucalyptus bark

Dimensions (IN)

55 ¾ x 22 3/8

Dimensions (CM)

141.61 x 56.83

Credit

Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. Gift of John W. Kluge, 1996. 1996.0018.001

Narrative

Gälpu

The Gälpu clan belongs to the Dhuwa moiety. Major spiritual themes include Wititj and Bol’ŋu....

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Location

1960s

The 1960s were a decade of tumult and triumph for Yolŋu art and artists. In...

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About The Artist(s)

Clan

Gälpu

Artist Dates

c.1929-1976

Alternative Names

Midinari, Midhinarri, Mitinari

Mithinari Gurruwiwi

Mithinari Gurruwiwi was taught to paint by Mawalan Marika and became one of the most original and distinctive artists of the 1960s. He contributed to the Dhuwa side of the Yirrkala Church Panels.

Collections Represented

Art Gallery of New South Wales

Art Gallery of Western Australia

Field Museum of Natural History, Chicago

Grey Art Gallery, New York University

Kluge-Ruhe Aboriginal Art Collection of the University of Virginia

Museum of Anthropology, University of British Columbia

Museum and Art Gallery of the Northern Territory

Museum of Contemporary Art, Australia

National Gallery of Australia

National Gallery of Victoria

National Museum of Australia

Newcastle Art Gallery

Queensland Art Gallery

Tasmanian Museum and Art Gallery